As a lifelong fan of Agatha Christie’s Hercule Poirot, I’m looking forward to viewing the latest version of one of her greatest murder mysteries, Murder on the Orient Express. Everything about this adaptation looks amazing.
Pandering. Pedantic. Just a couple of dressy words to help you understand the faux intellectual travesty that is most of the dialogue and story of Valerian and the City of a Thousand Planets.
Last weekend I sat down with James Christopher to ask him a few questions about his film festival, the Austin Revolution Film Festival. I was put in contact with him through my pals over at Gothic Films, an independent film… Continue Reading →