Geek Culture, Zombies... and Other Monsters

Author Jason Kittrell

Jason Kittrell is a member of the Music City Film Critics Association and he's also active within the horror community.

V/H/S/Beyond is Beyond Saving

I’ve always loved the V/H/S film franchise and anthology horror in general, because of the unpredictability and variety they offer. Each segment is like a new puzzle, with different directors bringing their unique visions and scares to the table. The… Continue Reading →

The Penguin is the Most Compelling Character on TV Today

The Penguin is one of Batman’s most underrated villains, and it’s honestly a shame that he doesn’t get more recognition. While villains like Joker and Bane grab all the attention, Oswald Cobblepot brings a unique blend of intellect, sophistication and… Continue Reading →

Wolfs is a Gamble That Doesn’t Pay Off

George Clooney and Brad Pitt have established undeniable on-screen chemistry, particularly in films like Ocean’s Eleven (2001) and its sequels, where they play Danny Ocean and Rusty Ryan, respectively. Their dynamic is akin to a well-placed bet at a poker… Continue Reading →

The 55th Nashville Film Festival Did Not Disappoint with Animated Shorts

The Nashville Film Festival has long been recognized as one of the premier film festivals in the country. Each summer, film enthusiasts from all over head to Music City to immerse themselves in the festival’s many events. While the feature-length… Continue Reading →

Clone Cops Spins Comedy into the Death Game Genre

Death games have long been a captivating theme in cinema, exploring humanity’s darkest impulses and the thrill of survival. Films like The Running Man (1987), based on a Stephen King novella, brought this concept to the forefront, depicting a dystopian… Continue Reading →

Catch a Killer Debuts at the 55th Nashville Film Festival

Film noir, a genre that emerged in the 1940s, remains a beloved staple of cinematic storytelling, captivating audiences with its moody atmospheres, moral ambiguity and intricate plots. Rooted in post-war disillusionment, films like The Maltese Falcon (1941) established noir’s signature… Continue Reading →

Me, Myself & the Void Offers a Glimpse Into the Tragedy of Comedians

I’ve always been struck by the tragic irony that some of the funniest people to ever grace the stage or screen — people like Robin Williams, John Belushi and Chris Farley — were also the ones hiding the deepest pain…. Continue Reading →

A King Like Me Offers a Beacon of Hope at the 55th Nashville Film Festival

It’s late summer here in Nashville, Tennessee, and that brings a few things to mind. It’s the final stretch for enjoying a summer getaway. It also means the little one is back in school, taking steps toward greater independence from… Continue Reading →

The Killer’s Game is Mindless, Yet Undeniably Entertaining

Action movies often occupy a curious space in cinema, where they can sometimes feel mindless, yet undeniably entertaining. Their plots may be thin, character development minimal and dialogue occasionally trite, but the sheer spectacle of explosive stunts, high-octane chases and… Continue Reading →

Beetlejuice Beetlejuice is Classic Burton, But is That a Good Thing?

I absolutely love Tim Burton’s original Beetlejuice because it perfectly captures that quirky, imaginative style that Burton is known for, blending the eerie with the humorous in a way that feels both unique and timeless. The film’s whimsical world, filled… Continue Reading →

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