As a lifelong video game fan, I’ll admit something that might surprise a few people: I’ve only logged a handful of hours in the Fallout games. I know the world. I know the retro-futuristic aesthetic. I recognize the Vault Boy… Continue Reading →
As defined early within Gus Van Sant’s new film, a “dead man’s wire” — the modern term originally derived from “dead man’s line” — is a simple device, much like a harness, that’s wrapped around a loaded gun and its… Continue Reading →
