Tag indie writer
Per Matt What happens when you combine a time-travel tale with a noir ghost story, all wrapped as a love letter to the Swinging Sixties? You get Last Night in Soho, which never truly finds solid footing from any of… Continue Reading →
There are tons of streaming services out there. I have personally used more than 50 different streamers since 2020. You have your standard “big dogs,” like Netflix, Hulu and Amazon Prime. Then there are the network-specific channels like HBO Max,… Continue Reading →
Per Matt Not a whole lot can shock me early in the morning, while I’m still trying to wake up. But today, while sipping on some strong coffee, I was somewhat surprised to learn that George Romero’s final film will… Continue Reading →
Per Matt The horror genre, probably more so than all the rest, has long relied on clichés, tropes and stereotypes in depicting stories for the big and small screen. Often used in low-budget releases (but not exclusively), these tired portrayals… Continue Reading →
Per Matt Throughout the years, a majority of film critics have voted Citizen Kane as the greatest movie of all time. Now, I truly believe it is a great one, but it stands as the second best for me (nothing… Continue Reading →
Per Matt The game is afoot in the most recent entry of the resurrected Saw franchise. Jigsaw details a murder mystery drenched in torture porn, sprinkled atop with some vigilante justice… and surprise, surprise, the Big Bad still lives and… Continue Reading →
Per Matt Can you believe that it’s been almost four years already since Glenn Rhee was written out of The Walking Dead? It happened during a major event on the hit TV show. Not only was Negan introduced in a… Continue Reading →
Per Matt Not quite the storytelling techniques of Save the Cat, but in addition to the bizarre misadventures of mad scientist Rick Sanchez, along with his willingly wishy-washy grandson, Mortimer “Morty” Smith Sr., the first new Rick and Morty episode… Continue Reading →
Per Matt Fighting a relentless, faceless killer is one thing, but battling a herd of creepy children is even worse. Enter Clive Barker’s The Plague.
Behold the Terrors of The Brain from Planet Arous!
Per Matt In 1957, a black-and-white cinematic cult classic was released featuring a giant, floating, megalomaniacal, sex-crazed brain from outer space. Audiences may not have crowned the indie film a blockbuster back in the day, but 65 years later, The… Continue Reading →