As defined early within Gus Van Sant’s new film, a “dead man’s wire” — the modern term originally derived from “dead man’s line” — is a simple device, much like a harness, that’s wrapped around a loaded gun and its… Continue Reading →
Ari Aster has been on a heater lately. Hereditary turned grief into a haunted house you wear on your face, Midsommar made broad daylight feel like a nightmare you can’t blink away, and Beau Is Afraid… well, that one wasn’t… Continue Reading →
