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War of the Worlds: The Perfect Pandemic Binge

Per Matt With the spread of COVID-19, immediate changes went into full effect. People changed the way they shopped. Changed the places they traveled. Changed their commutes to work. Changed their forms of entertainment. Changed the way they breathed. Basically,… Continue Reading →

Dispatches’ Finale Proves Series is Weird, But Not Weird Enough

When watching a TV show that attempts to uncover a secret society under the veil of a social game, many surprises are uncovered. There’s plenty of plot devices (probably a few too many), more than a few red herrings and… Continue Reading →

Back From the Dead, NOS4A2 Returns

Per Matt I have definitely had a love/hate affair with vampires. For every What We Do in the Shadows, there’s two or more versions of The Passage and A Discovery of Witches that never ultimately survive the ratings game. I’m… Continue Reading →

Bumblebee 2: Electric Boogaloo

Per Matt The robots in disguise are definitely stuck between a rock and a hard place. On one hand, there’s the Michael Bay live-action movies (affectionately labeled as Bayverse), which focused on endless action, terrible writing and extremely poor-looking character… Continue Reading →

AMC Must Renew The Terror for a Third Season!

Supernatural horror gets historic in The Terror: Infamy.

Treadstone Reawakens Cold War Fears

Members of the CIA are running an unsanctioned global operation — some would call it a criminal syndicate — and “America wants to win.” If that doesn’t sum up 10 episodes of Treadstone, which basically tells the origin story of… Continue Reading →

Live. Die. Repeat. 2, the Sci-Fi Sequel

What’s in a name? When it comes to a title, whatever you call the Edge of Tomorrow movie, AKA Live. Die. Repeat. or the film’s original name, All You Need Is Kill — which is the title of the Hiroshi Sakurazaka… Continue Reading →

Will Zombieland 2 Write All-New Rules for Horror Sequels?

With the official announcement that Zombieland 2 has gotten the greenlight, we’re wondering if Director Ruben Fleischer will write all-new rules for horror sequels? Or will he merely prove 10 years later, that all sequels suck?

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