Film noir, a genre that emerged in the 1940s, remains a beloved staple of cinematic storytelling, captivating audiences with its moody atmospheres, moral ambiguity and intricate plots. Rooted in post-war disillusionment, films like The Maltese Falcon (1941) established noir’s signature… Continue Reading →
Film Masters Debuts a Double Bill of Cult Classics
Per Matt Less is more. That simple cultural proverb has been attributed to a variety of people throughout history, but it was absolutely taken to heart by filmmaker Ray Kellogg. Primarily known for his groundbreaking special-effects work in blockbusters during… Continue Reading →