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Family bonds run tight throughout the Star Wars Universe, beginning with the Skywalkers within the Original Trilogy, later stretching into the prequel trilogy and the Solos and the Palpatines wrapping up the Sequel Trilogy. Those ties continue, possibly even stronger,… Continue Reading →
Per Matt Guilt, grief, redemption and a haunting sense of loss is great in Drive My Car, the official Japanese entry for Best International Feature at the 94th Academy Awards, but action movie this is not. In fact, this nearly… Continue Reading →
Per Matt Did you happen to catch “Treehouse of Horror XXXII” last week? Airing during Season 33, episode 709 touched on some killer satire to go along with the spooky season. In what has become an annual highlight of The… Continue Reading →
Per Matt A good movie is a good movie, no matter the language in which it is filmed. So, the exact moment I read about multiple mysterious deaths and suicides throughout the years happening at Xinglin Hospital, which now lies… Continue Reading →
Catastrophes come in all shapes and sizes, whether they’re man-made or natural, taking place in the modern world or during a future Apocalypse. Or they’re simply inevitable. Somehow, Snowpiercer‘s second season involves each of those elements, wrapped up in a… Continue Reading →
Even if the world’s become a frozen wasteland and the final threads holding humanity together lie within an always-moving train, people will continue to be the planet’s biggest monster. Class warfare, politics, privilege usurping justice and the struggles therein are… Continue Reading →
The Complete Story of Film is Innovative, Emotional and Opinionated
Per Matt William Goldman once said, “Not one person in the entire motion picture field knows for a certainty what’s going to work.” Amen to that. The Oscar-winning screenwriter/quote machine knew the Hollywood risk-to-reward ratio was a fickle thing, one… Continue Reading →