Per Matt I suppose it takes a lot of looking inward, before you can finally let go of the past. Moving toward the future, Season 2 of Pennyworth did a whole lot of that. From the season premiere, the EPIX… Continue Reading →
Per Matt A womanizer. A sleazy politician who uses his pulpit (and the power of the press) to push his priorities front and center, while never quite changing his bad behavior. Some would call him a fraud, but Giancarlo Esposito’s… Continue Reading →
Per Matt In preparation for writing up Borat Subsequent Moviefilm, I decided it was about time to catch up on a previous Sacha Baron Cohen movie that I had missed, so I’d kind of know what to expect this time… Continue Reading →
Per Matt Throughout the years, a majority of film critics have voted Citizen Kane as the greatest movie of all time. Now, I truly believe it is a great one, but it stands as the second best for me (nothing… Continue Reading →
Per Matt Now that Gotham has closed up shop, EPIX has taken the reins in telling the backstory of Bruce Wayne’s family tree.
Per Matt What is a monster? How does our culture define a monster? Monsters have come in all shapes and sizes throughout history, usually acting as something beyond our control and appearing in disguise. Opening today, the Frist Art Museum… Continue Reading →
If you happened to watch the season finale of The Orville last week, you might have noticed one of the main characters didn’t make an appearance until the episode’s final act. At times, working the Moclan character into an ensemble… Continue Reading →
As the National Geographic Channel slowly steps toward offering more scripted entertainment, here’s a memo for the network’s programmers: More Valley of the Boom and less Mars, please!
When did politics seep into a possible bright future for colonizing the Red Planet? Sadly, the accurate answer is Season 2 of Mars, when a private corporation competes for resources with the pre-established international scientific coalition and too much drama ensues.
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Horror Noire: A History of Black Horror
Per Matt The horror genre, probably more so than all the rest, has long relied on clichés, tropes and stereotypes in depicting stories for the big and small screen. Often used in low-budget releases (but not exclusively), these tired portrayals… Continue Reading →