Per Matt As soon as a prophecy declares that “a time will come when race will devour race, when brother will kill brother, until not a soul is left” in the Penny Dreadful season premiere, “Santa Muerte,” I knew I… Continue Reading →
It’s a strange time, across the world right now. COVID-19, a form of the Coronavirus, is wrecking havoc on the populace, both from a health standpoint and in its economic impact. People are succumbing to the virus at an alarming… Continue Reading →
Per Matt What is a monster? How does our culture define a monster? Monsters have come in all shapes and sizes throughout history, usually acting as something beyond our control and appearing in disguise. Opening today, the Frist Art Museum… Continue Reading →
In case you want to end your year right and perhaps binge the best horror films of 2017, I have you covered. 2017 was a really good year for horror. Hell, it was a great year if you were a… Continue Reading →
It’s New Year’s Eve and on this morning, through the next 48 hours, I’m binge watching a TV show that has been cancelled for 53 years (before its multiple revivals and movie adaptations). I’ve seen every episode multiple times via syndication…. Continue Reading →
Directors Brian Gerson and Joseph R. Davis’ third short horror film, Puppet, has gained some recognition in some of the small film festivals both domestically and abroad. It won Best Makeup in the First Quarter Enginuity Film Festival and was… Continue Reading →
The horror genre has seen so many innovators craft it into a wide-ranged spectacle of terror. Filmmakers such as Wes Craven and John Carpenter spearheaded the slasher subgenre and created other classics for horror fans. But one particular genre cannot… Continue Reading →
I went to catch the much-talked-about and anticipated Get Out this weekend. I picked a 5 p.m. showing thinking that would be a great time to be able to have much of the theater to myself, so I could take notes… Continue Reading →
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Snowpiercer Tackles Social Class with Science Fiction
Bong Joon Ho is no stranger to social structures. As the writer-director of the 2013 feature film, Snowpiercer, and last year’s Oscar-winning Best Picture, Parasite, the filmmaker knows how to make a point while using the science-fiction and horror genres… Continue Reading →