Neon is an independent film production and distribution company that has delivered hit after hit this past year: Longlegs, Anora, The Monkey and Cuckoo are a few of my favorites. If Neon’s name is attached to a film, I will see… Continue Reading →
As a Child of the ’80s, I was lucky enough to grow up with John Williams. During my teen years, I visited the small-town movie theater just about every Friday night. Unbeknownst to me, John Williams was also there, with… Continue Reading →
A24’s A Different Man is essentially the male counterpart of The Substance. Both films explore the societal pressures on individuals and how these pressures influence our actions, particularly regarding our appearances. The Substance explores America’s obsession with life-altering drugs and… Continue Reading →
As always, this will be a spoiler-free review of a film that should be experienced without any prior knowledge for the best viewing experience. The only information I had about Strange Darling before watching it was that numerous online creators… Continue Reading →
As a life-long fan of big-screen science fiction, I’ve seen my fill of heady topics, but never have I seen one connecting erectile dysfunction and the fate of the known world, but here we are. I mean, there’s dire straits…… Continue Reading →
Per Matt Ah, Roger Corman. If ever there was a filmmaker who could create more with less, it’s clearly him. Now, suppose you wanted to crank out an entire movie within two days on a whim with zero budget… then,… Continue Reading →
Per Matt Western movies tend to follow tried-but-true tropes. I’ve enjoyed watching them throughout the years, but their storylines are often predictable. The good guys are often officers upholding the law, chasing down criminals or even Native Americans. Dances with… Continue Reading →
High-school drama with the added stakes of being surrounded by trained killers, Deadly Class is a faithful adaptation of the comic book and makes for good television.
Superhero movies, thrilling horror films, actually funny comedies, soft reboots and sequels — 2018 was a good year for movies. I think my stack of ticket stubs from theaters is much larger compared to any of the past few years.
Film Masters Features Two Roger Corman Classics on The Terror
Per Matt Ah, Roger Corman. If ever there was a filmmaker who could create more with less, it’s clearly him. Now, suppose you wanted to crank out an entire movie within two days on a whim with zero budget… then,… Continue Reading →