If Samuel L. Jackson didn’t wear a wig, did he even appear in a film?
The Passage‘s pilot felt like a medical drama disguised as a thriller with horror elements. Sure, there’s a 10-year-old girl — Saniyya Sidney’s epic performance as Amy Bellafonte — chosen as humanity’s only hope to fight an oncoming global pandemic at the… Continue Reading →
M. Night Shyamalan has finally pieced together the shards of his 19-year trilogy. The reviews are mixed, and this one is no exception. Glass is a decent film, but doesn’t seem like a concluding flick in a series. It feels… Continue Reading →