Geek Culture, Zombies... and Other Monsters

Tag Elizabeth Debicki

What’s the Price of Fame for MaXXXine?

Many dead bodies lie in her wake on a journey to making a name for herself in 1980s Hollywood… She’s part maverick, part psycho: Maxine Minx is a name you shouldn’t soon forget within the horror genre! I’m sure there… Continue Reading →

Vol. 3 Proves Guardians of the Galaxy is the Heart of the MCU

Guardians of the Galaxy is one of those Marvel properties that most moviegoers did not even know existed prior to 2014, including myself. Despite that, the ragtag team of space heroes cemented themselves as one of the most popular characters… Continue Reading →

Tenet Thinks It’s a Smart Sci-Fi Flick

Per Matt After deciding to have a Redbox night, I had a rare moment of certainty: I was finally gonna watch Tenet! I’ve been wanting to see what all the commotion was about regarding this film, for a while now…. Continue Reading →

The Cloverfield Paradox: Another J.J. Abrams Cloverfield Hoax

Warning: There are spoilers. And no, I’m not going to feel bad about it.

Valerian and the City of a Thousand Planets: An Exploration Into Why You Need to See This Movie

Valerian and the City of a Thousand Planets is the beautiful vision of a mature French filmmaker with an almost fifty-year-long love affair with the source material, which began in 1967 and ran for 43 years, comprising a collection of… Continue Reading →

Prepare for Zune’s Best Sales, Ever

That title won’t make sense ’til you see Guardians of the Galaxy Vol.2. It’s a spoiler, actually. That’s why you probably should not read this ’til you see the movie. I’m about to tell you why this Guardians is just… Continue Reading →

Tell ‘Em Taserface Sent Ya: A Guardians of the Galaxy Vol. 2 Review

I went to see a special media screening of Guardians of the Galaxy Vol. 2 on Monday night. This was huge for me. Not just because I got to see GotG Vol. 2 almost a week before it hit theaters, but,… Continue Reading →

The Man from U.N.C.L.E.

Per Matt Cold War tensions are reignited and the onscreen retro-cool environment of Guy Ritchie’s latest movie is inescapable.

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