In my younger years, the term “family friendly” was something that pretty much told me “this film is going to be boring.” They were things that I only experienced with my mom and dad out on Sunday trips. If I… Continue Reading →
Good Omens, the televised comedy from the novel by Terry Pratchett and Neil Gaiman, nails the Apocalypse without it feeling like Armageddon.
Good science fiction poses a compelling ethical question, against a backdrop of advanced technology, within a context relatable to an audience of the storyteller’s choosing. Passengers does all of that, but the audience may not be chosen terribly well, and… Continue Reading →
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