Good Omens, the televised comedy from the novel by Terry Pratchett and Neil Gaiman, nails the Apocalypse without it feeling like Armageddon.
Good science fiction poses a compelling ethical question, against a backdrop of advanced technology, within a context relatable to an audience of the storyteller’s choosing. Passengers does all of that, but the audience may not be chosen terribly well, and… Continue Reading →
Per Matt Sequels to best-selling novels, much like blockbuster movies, often underwhelm. In many ways, Disney’s 2010 big-screen adventure, Alice in Wonderland, is much like the iconic 1939 movie, The Wizard of Oz. Both film adaptations were based on iconic… Continue Reading →