Geek Culture, Zombies... and Other Monsters

Tag moody

The Devil’s Bath Rinses Off Misleading Intentions

Cheesy horror movie titles, especially ones that I remember from the ’70s and ’80s, are a special breed, reflecting the era’s enthusiasm for over-the-top thrills, gore and campy storylines. Titles like Chopping Mall, Slumber Party Massacre and Killer Klowns from Outer… Continue Reading →

Catch a Killer Debuts at the 55th Nashville Film Festival

Film noir, a genre that emerged in the 1940s, remains a beloved staple of cinematic storytelling, captivating audiences with its moody atmospheres, moral ambiguity and intricate plots. Rooted in post-war disillusionment, films like The Maltese Falcon (1941) established noir’s signature… Continue Reading →

Teens Take The Walking Dead to a World Beyond

If you happened to be a fan of Carl and Enid (among the many others) back in the day and thought there just wasn’t enough teen angst and moodiness within The Walking Dead Universe, you won’t be disappointed with the… Continue Reading →

Primal’s Visual Storytelling Racks Up Three Emmy Awards

Dialogue is overrated, right? When it comes to some filmmakers, they can’t have enough witty conversations, despite the depictions of their paper-thin characters. But when it comes to Genndy Tartakovsky’s skills, he can craft more emotion with practically no dialogue,… Continue Reading →

NOS4A2 Cancels Christmas(land)

Per Matt A storm is a brewin’ in Season 2 of NOS4A2 and hell hath no fury like vampire back from the dead.

My Guilty Pleasure: I Still See You

Per Matt What happens when you pair an attractive actress with a convoluted, over-complicated premise that speaks way over the heads of its intended audience? It’s simply the next stop on this My Guilty Pleasure train ride… all aboard!

AMC Must Renew The Terror for a Third Season!

Supernatural horror gets historic in The Terror: Infamy.

My Guilty Pleasure: It Stains the Sands Red

Zombies. Las Vegas. When crafting a story that involves the Zombie Apocalypse taking place in Sin City, it’s gotta have “sure-fire hit” written all over it. Right?

Woodshock is as Boring as it is Pretty

I watched the opening credits to Woodshock with high hopes, thinking that maybe the Mulleavy sisters of Rodarte would find as much success infusing their artistic sensibilities in a film as Tom Ford found in A Single Man and Nocturnal Animals. If they… Continue Reading →

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