Per Matt The Power of the Dog leads the way with 10 nominations for the Music City Film Critics’ Association’s 2022 Film Awards. Jane Campion’s Western secures the most-ever nominations for a film in the history of the MCFCA.
Per Matt If you’re living in the wild frontier of the Oregon Territory, you might be surprised by what the land’s residents would risk for a cup of milk in 1820. Nothing is too valuable in exchange for rare commodities…… Continue Reading →
Per Matt Halloween offers something for just about everyone. From the frights, to the costumes of symbolic characters, to the jump scares, to the classic movies we enjoy rewatching, even to the laughs they may bring. Author David J. Skal… Continue Reading →
Per Matt Can you believe that it’s been almost four years already since Glenn Rhee was written out of The Walking Dead? It happened during a major event on the hit TV show. Not only was Negan introduced in a… Continue Reading →
Much like a surprise attack by a mega herd of walkers, Robert Kirkman has surprised an entire industry, as well as legions of The Walking Dead fans with a major plot twist: After years of bragging about how he deliberately… Continue Reading →
When Comedy Central advertised the 22nd season of South Park, it included the hashtag #cancelsouthpark. Was this a marketing ploy? A way to troll their fans? A cry for help from the show’s longtime creators? Or a preemptive strike against… Continue Reading →
Valerian and the City of a Thousand Planets is the beautiful vision of a mature French filmmaker with an almost fifty-year-long love affair with the source material, which began in 1967 and ran for 43 years, comprising a collection of… Continue Reading →
It’s hard to believe that it has been 18 years since Mystery Science Theater 3000 has been on the air. And just by using the first three episodes of the new season as a barometer, the show barely believes it,… Continue Reading →
It is interesting that now, upon the anniversary of Ant Man schooling the haters on how wrong they can be in pre-judging a film, we find ourselves here again. Where, you ask? Why, Lucas’ I-Told-You-So Wonderland, of course!
There’s no nice way to say this. The critics have been dicks about Independence Day: Resurgence. Continuing their proud tradition of ignoring the reality and climate in which we process certain movies, and seeking some Shakespearean/Aaron Sorkin/Spielberg perfection in all things, they… Continue Reading →