Tag horror elements
Leviathan. The Kraken. Moby Dick. 20,000 Leagues Under the Sea. Jaws. Shark Week. Sense and Sensibility and Sea Monsters. Sharknado. The Shallows. 47 Meters Down. The Meg. And Aquaman will release later this year. Throughout the years, good stories that… Continue Reading →
This week on #HauntLife, I am going to give you all my full review of the 2018 indie thriller flick, Clickbait. This film was directed by Michael J. Epstein and Sophia Cacciola. It was written by Michael Epstein and Jeremy Long.
How is The Meg different from Sharknado? It’s the presence of Jason Statham. He is definitely not the new Ian Ziering. It would take 100 Ians to make one Jason. Why? Because Jason Statham is the coolest actor in the world.
Per Matt Mulder. Scully. Episodes from the Good Old Days, even better than you remember them. Somehow, by accident, I found 48 Hours of The X-Files airing on BBC America and my mind started to wander to what could have been… Continue Reading →
Where do I begin? Movies about large, killer animals are never good. In general, they are painfully derivative and borderline ridiculous. The one stand-out in this genre of films is the original Jaws. Trust me here, The Meg is no Jaws.
The first time I saw the three episodes of Castle Rock, now available on Hulu, I somehow missed half of what was happening, so a day later I sat down and tried to watch the whole thing all over again…. Continue Reading →
I have to be honest. I didn’t watch the first Unfriended until a few days ago. It was probably OK on a big screen. But when you use much of your time typing, instead of acting, you need type big… Continue Reading →
Nuns, puns and a touch of Troma. That’s what you’ll find in the new web series produced by the shock cinema powerhouse. Exorsisters is a surprising addition to Troma and its ever-expanding library of independent film. The story of three… Continue Reading →
With the official announcement that Zombieland 2 has gotten the greenlight, we’re wondering if Director Ruben Fleischer will write all-new rules for horror sequels? Or will he merely prove 10 years later, that all sequels suck?