Film noir, a genre that emerged in the 1940s, remains a beloved staple of cinematic storytelling, captivating audiences with its moody atmospheres, moral ambiguity and intricate plots. Rooted in post-war disillusionment, films like The Maltese Falcon (1941) established noir’s signature… Continue Reading →
Sex and Controversy Penetrate Nashville Film Festival’s Graveyard Shift
Per Matt Sex sells — shocking admission, I know. But when paired with a never-ending controversy, a film’s box-office results can either be helped or hurt if it’s too extreme. And two movies featured by the Graveyard Shift of the… Continue Reading →